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001 9780429344497
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006 m o d
007 cr cnu|||unuuu
008 191016s2020 nyu ob 001 0 eng d
040 _aOCoLC-P
_beng
_erda
_epn
_cOCoLC-P
020 _a9780429344497
_q(electronic bk.)
020 _a042934449X
_q(electronic bk.)
020 _a9781000692051
_q(electronic bk. : EPUB)
020 _a1000692051
_q(electronic bk. : EPUB)
020 _a9781000691887
_q(electronic bk. : Mobipocket)
020 _a1000691888
_q(electronic bk. : Mobipocket)
020 _a9781000691719
_q(electronic bk. : PDF)
020 _a1000691713
_q(electronic bk. : PDF)
020 _z9780367361938
035 _a(OCoLC)1123193670
035 _a(OCoLC-P)1123193670
050 4 _aPR881
072 7 _aLIT
_x000000
_2bisacsh
072 7 _aDS
_2bicssc
082 0 4 _a823/.91409
_223
100 1 _aDinter, Sandra,
_eauthor.
245 1 0 _aChildhood in the contemporary English novel /
_cSandra Dinter.
264 1 _aNew York, NY :
_bRoutledge,
_c2020.
300 _a1 online resource (x, 222 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aStudies in Childhood, 1700 to the Present
505 0 _aAcknowledgements 1 The Rise of the Contemporary Childhood Novel: Introduction 2 Dismantling Constructivisms of Childhood 3 Constructions of Childhood in Late Modern England, 1980s-2010s 4 Approaching Childhood as a Construct: Ian McEwan's The Child in Time (1987) 5 Radical Constructivism in Doris Lessing's The Fifth Child (1988) 6 The Constructed Child as a Counter Model: P. D. James's The Children of Men (1992) 7 Performing Childhood in Nick Hornby's About a Boy (1998) 8 Historiographical Reflections on Childhood in Sarah Moss's Night Waking (2011) 9 The Limits of Constructivism in Stephen Kelman's Pigeon English (2011) 10 Epilogue Bibliography Appendix: A Chronology of Anglophone Childhood Novels since 1979.
520 _aSince the 1980s novels about childhood for adults have been a booming genre within the contemporary British literary market. Childhood in the Contemporary English Novel offers the first comprehensive study of this literary trend. Assembling analyses of key works by Ian McEwan, Doris Lessing, P. D. James, Nick Hornby, Sarah Moss and Stephen Kelman and situating them in their cultural and political contexts, Sandra Dinter uncovers both the reasons for the current popularity of such fiction and the theoretical shift that distinguishes it from earlier literary epochs. The book's central argument is that the contemporary English novel draws on the constructivist paradigm shift that revolutionised the academic study of childhood several decades ago. Contemporary works of fiction, Dinter argues, depart from the notion of childhood as a naturally given phase of life and examine the agents, interests and conflicts involved in its cultural production. Dinter also considers the limits of this new theoretical impetus, observing that authors and scholars alike, even when they claim to conceive of childhood as a construct, do not always give up on the idea of its 'natural' core. Accordingly, this book reconstructs how the English novel between the 1980s and the 2010s oscillates between an acknowledgment of constructivism and an endorsement of childhood as the last irrevocable quintessence of humanity. In doing so, it successfully extends the literary and cultural history of childhood to the immediate present.
588 _aOCLC-licensed vendor bibliographic record.
650 0 _aChildren in literature.
650 0 _aEnglish fiction
_y20th century
_xHistory and criticism.
650 0 _aEnglish fiction
_y21st century
_xHistory and criticism.
650 7 _aLITERARY CRITICISM / General
_2bisacsh
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9780429344497
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c90999
_d90998