| 000 | 03435cam a22004938i 4500 | ||
|---|---|---|---|
| 001 | 9780429331893 | ||
| 003 | FlBoTFG | ||
| 005 | 20260210180736.0 | ||
| 006 | m d | | | ||
| 007 | cr ||||||||||| | ||
| 008 | 190813s2019 nyu ob 001 0 eng | ||
| 040 |
_aOCoLC-P _beng _erda _cOCoLC-P |
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| 020 |
_a9780429331893 _q(ebook) |
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| 020 | _a0429331894 | ||
| 020 |
_a9781000710113 _q(electronic bk. : PDF) |
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| 020 |
_a1000710114 _q(electronic bk. : PDF) |
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| 020 |
_a9781000710892 _q(electronic bk. : EPUB) |
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| 020 |
_a1000710890 _q(electronic bk. : EPUB) |
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| 020 |
_a9781000710502 _q(electronic bk. : Mobipocket) |
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| 020 |
_a1000710505 _q(electronic bk. : Mobipocket) |
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| 020 |
_z9780367353667 _q(hardback) |
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| 035 | _a(OCoLC)1117318849 | ||
| 035 | _a(OCoLC-P)1117318849 | ||
| 050 | 0 | 0 | _aP96.T42 |
| 072 | 7 |
_aPHI _x036000 _2bisacsh |
|
| 072 | 7 |
_aHRCG3 _2bicssc |
|
| 082 | 0 | 0 |
_a302.23/101 _223 |
| 100 | 1 |
_aRomele, Alberto, _eauthor. |
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| 245 | 1 | 0 |
_aDigital hermeneutics : _bphilosophical investigations in new media and technologies / _cAlberto Romele. |
| 264 | 1 |
_aNew York : _bRoutledge, _c2019. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bn _2rdamedia |
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| 338 |
_aonline resource _bnc _2rdacarrier |
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| 490 | 1 |
_aRoutledge studies in contemporary philosophy ; _v127 |
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| 505 | 0 | _aOverture : the idealism of matter -- The virtual invaded the real -- The real invaded the virtual -- Imaginative machines -- We have never been engineers -- Finale : the indifferent ones. | |
| 520 |
_a"This is the first monograph to develop a hermeneutic approach to the digital-as both a technological milieu and a cultural phenomenon. While philosophical in its orientation, the book covers a wide body of literature across science and technology studies, media studies, digital humanities, digital sociology, cognitive science, and the study of artificial intelligence. In the first part of the book, the author formulates an epistemological thesis according to which the "virtual never ended." Although the frontiers between the real and the virtual are certainly more porous today, they still exist and endure. In the book's second part, the author offers an ontological reflection on emerging digital technologies as "imaginative machines." He introduces the concept of emagination, arguing that human schematizations are always externalized into technologies, and that human imagination has its analog in the digital dynamics of articulation between databases and algorithms. The author takes an ethical and political stance in the concluding chapter. He resorts to the notion of "digital habitus" for claiming that within the digital we are repeatedly being reconducted to an oversimplified image and understanding of ourselves. Digital Hermeneutics will be of interest to scholars across a wide range of disciplines, including those working on philosophy of technology, hermeneutics, science and technology studies, media studies, and the digital humanities"-- _cProvided by publisher. |
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| 588 | _aOCLC-licensed vendor bibliographic record. | ||
| 650 | 0 | _aMass media and technology. | |
| 650 | 0 |
_aTechnology _xSocial aspects. |
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| 650 | 0 | _aHermeneutics. | |
| 856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780429331893 |
| 856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
| 999 |
_c89971 _d89970 |
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